The purpose of these author interviews is to provide
novice writers with some valuable insights and ideas on how to start, organize
and finalize their writing process. Everyone is unique and no two writers work
quite the same. By getting ideas on how other successful authors go about the
business of writing a novel and be published, we might be able to help one
aspiring author realize the dream of getting a contract.
Now back to Zee, who graciously agreed to answer some of our questions.
What
genre do you write in? Any specific reason why you chose the genre?
I write mainly contemporary. This can
take the form of contemporary romance, romantic comedies, small-town romance,
and even romantic suspense/espionage. There will always be romance involved,
though, as well as a happy ending. I read for happy endings, and I assume most
readers read for this destination, too.
As for the time period, I feel I have
a better grasp on today’s world, the one we know first-hand, rather than, say,
the historical world. There’s only so much information you can find online
about historical resources, especially when you live in a small country like
mine and don’t have physical access to big libraries and old records.
But with a click of the mouse on
Google, I can find almost anything I need to know about, for example, St
Pancras Station in London (specs, features, images; even Google Earth allows
you to ‘see’ a place without being there. It’s how I have walked the streets of
Prague for one of my books).
Where
do you get the ideas for your books? How do you go from idea to outline?
I have to say that most of the time,
my books start with characters. Like, say I start a series – let’s take the
Island Girls Trilogy. The plan was to write The Other Side (Book1 and Lara’s
story) and be done with it. But over the course of writing that book, I got
better acquainted with Lara’s two sisters, Diya and Neha. They screamed to have
their stories told...and each was as different as night from day. So it
couldn’t be the same idea for every sister, so I worked with the characters as
they’d already been established, and fleshed out their stories/found the story
idea for each from that starting point.
So basically, it’s the character that leads
me to the idea, and very rarely the other way round.
Though this can also happen. Take, for
example, my Daimsbury Chronicles series. These are shorter stories set in the
fictional Surrey town of Daimsbury. I originally imagined this world for a
cancer-based story that would show the journey of the heroine, Megha, and her
friends-to-lovers tale with her boss, Magnus. I came up with Daimsbury and
thrust them in that little town. But while that book was on the backburner
while I had to meet other deadlines, I found myself needing a setting to start
a new sweet romance series...and then I reckoned I already had Daimsbury all
set up.
I still haven’t finished Megha and
Magnus’ story (hopefully, this will come out in 2015!) but in the meantime,
there’s been 2 other books fitting into the Daimsbury world that have been
written (one already published). So that’s a case where the idea for one story
helped spawn a full, ongoing series.
Are
you a plotter or a pantser? Why?
A little bit of both, I would say. I
used to be an anal plotter – I’d have everything down to the smallest detail
mapped out. I didn’t allow myself to veer from that outline...and this led me
into walls quite a few times because I failed to realize my characters had
morphed and evolved and no longer fit the rigid setup I had.
So I learned to accommodate a
pantser’s nature into my outlining. Like, I know the strong/main points of the
story and also how it starts and how it should end. I also jot down, along a
timeline, key scenes that I already know must be in the tale. But the journey
to get from one point to the other is a surprise as I’ll only know how it all
happens when I’m actually writing the scene.
If
you are a plotter, how thoroughly do you outline the plot?
I do the key points/strategic scenes, as
well as the start and end. I also do my best to get to know the characters
before I start writing.
If
you have to choose only one element (setting/ character development/ structure/
conflict/ etc.) that is absolutely essential to every novel you’ve written,
what would it be? Why?
I would say characters. If you have
well-developed characters, they bring their own conflict to every page, then.
Knowing your characters also allows you to show better, to have every page and
every scene have meaning in your story.
This, to me, is especially important
for shorter works, because you have to pack exposure, characterization, as well
as relevant backstory, into a tighter scope so the story can also develop along
the way.
But I feel that characters can give
you conflict and structure all by themselves, so they’re essential to me
whenever I am imagining a story. Knowing your characters like they’re real
people allows you to anticipate how they will react in any situation, and this
can get you out of a bind in the plot or even when you hit the dreaded wall of
writer’s block.
What
is the single most important thing a writer must do before he/she starts
writing the first draft? Why?
I have 3 very important aspects I
tackle before starting to write any story.
Know your characters – see above
answer for why J
Know your setting – sometimes, the
setting will provide a plot point all by itself and this can progress your
story along. For example, if you have Vegas in a romance, you can almost bet
there will be a wedding happening there. Now what sort of complications
can/will this wedding cause? There you have it – the premise for further
conflict. Same goes for a little town – there will surely be gossip there; what
ramifications can this gossip have on the plot?
Know your world – it doesn’t matter if
you’re writing contemporary or space opera or Game of Thrones-type fantasy; you
need to know the scope, limits, values, mores, customs of that world like the
back of your hand to portray a believable world.
What
is your writing process like? Do you finish the first draft and then start
editing or do you edit while you write? Is there any specific reason why you do
it like that?
I edit as I go along. Most of the
time, it allows me to see which words I might be crutching on or overusing, and
I can already remedy that when I continue writing. Editing as I go also allows
me to get back into the story and immerse myself into the feel before plunging
back in for writing the next scene/chapter.
But my writing process is a very
unhealthy one. I will work on one single story to the exclusion of everything
else over 1-2-3 weeks, depending on the length of the story. I will write
during every free moment I find during the day, and I will prolly stop reading
or watching TV during that time, because my brain will be wired for the story
and for the writing. I almost always crash and burn (hello, cold bug or even
flu virus!) when I finish a story, so I don’t recommend my method of writing.
But I’ve found this is what works for me; I cannot spend weeks to months spread
out over a single story. I’ll lose interest or even lose the story itself if I
let it ramble too much in time.
Do
you only self-edit or hire a professional editor? Why?
Well, the question never arises when I
work with a publisher, since edits are part of the deal there.
But I’m getting ready to self-publish
some of my titles, and for these, yes, I am using a professional editor.
There’s only so much you can see and address in your own writing, never mind if
you are yourself an editor. My editor sees mainly the words I am overusing –
something my eyes and brain gloss over when I re-read my writing.
If
you hire a professional editor, can you recommend anyone and state the reason/s
why this person is recommendable?
My editor is my bestie and editing
business partner, Natalie G. Owens. She’s got a wonderful eye for detail (hence
spotting those pesky repeats, echoes, and crutches) and as a writer, she’s got
a wonderful, lovely, & lyrical way with words. She bring this to her edits,
as well, and knows better than anyone I know or have worked with how to smooth
out jarring sentences or chunky clauses or those pieces of writing that look
awkward and you yourself have no clue how to reword.
You can find Natalie (and myself) at
our editing space on the Net – Divas At Work Editing Services http://divasatwork.wordpress.com/
How
many drafts do you write before submitting to publishers?
Usually, just one. Unless I’ve been
blocked along the way and have had to change the whole direction of the
plot/characterization. Then I more often than not start a fresh new draft
rather than work with the old.
I’ve found it is easier to rewrite
from scratch rather than try to work around previous material.
What
is your greatest consideration when selecting a publisher?
How are they going to treat me as one
of their authors? Will I be just a name that brings in money for them, or will
I be a member of their ‘family’ there?
I do my research by contacting authors
I know who publish with said publisher before submitting to it. I’ve been
burned in the past with publishers, and I prefer to take my precautions. This
approach allowed me recently to steer clear of an outfit that I’d thought would
be fantastic but was actually a disaster waiting to happen... So please, before
you target a publisher, ask around with its authors how it works and treats
said authors.
If
you have to give one sentence advice to a novice writer, what would it be?
Write! As simple as that – if you’re a
writer, you write. You don’t stop. You don’t allow doubts to get the better of
you. Even if what you are writing is crap, it’s still better crap than a blank
page or having nothing to show for yourself, not even that manuscript/s hidden
under your bed or in the farthest reaches of your hard drive.
Ability to write more and better comes
with writing – it doesn’t get more basic than that. I’ve seen this firsthand
myself over my 10-year career. Where it took me countless drafts and edits at
first to get the words as I wanted them to look like, today, I get away with
one draft and a couple editing passes through it. I also write much faster now
than I did when I started (for example, I rarely, if ever, wrote more than
1,000 words in a week when I was a novice. My brain refused to produce more.
But now, I can push a 40,000 story over a week, or go as far as 77K over 19
days – as I did last Nano when I finished on Nov 25 all without writing during
weekends).
Could
you please give us a list of your published books and a short blurb about each
one? Please state the publisher and year published as well.
Lol, we’re in for space here J Let’s start:
Once Upon A Stormy Night (Decadent
Publishing, 1NS Series - 2012)
On the paradise island of Mauritius
Once Upon A Second Chance (Decadent
Publishing, 1NS Series – 2013)
Khalid abandoned Leila the morning
after their wedding night, because he hides a deep, dark secret. Leila is
adamant on getting answers; Khalid wants nothing but salvation. Will a second
chance be possible for this couple, when they meet again through a blind
1NightStand date?
Inescapable (self-published,
Eternelles #1 – 2013)
An immortal mother-daughter duo must
put their personal struggles aside when the Apocalypse looms on Earth and an
age-old prophecy implicates the daughter inextricably in this journey towards
doom.
Indomitable (self-published,
Eternelles #2 – 2013)
After having identified the threat on
their world, immortal duo Adrasteia and Seraphine Dionysos must gang up against
supernatural forces joining hands to bring chaos and destruction to Earth and
every realm where supernatural creatures live.
The Other Side (Decadent Publishing,
Island Girls Trilogy #1 - 2013)
Divorce paints a scarlet letter on
Lara’s back when she returns to the culture-driven society of Mauritius. But
this same spotlight shines as a beacon of hope for the man who never stopped
loving her. Can the second time around be the right one for these former
teenage sweethearts?
Light My World (Decadent Publishing,
Island Girls Trilogy #2 - 2014)
It is a truth universally acknowledged
that to find a prince, a girl has to kiss a few frogs along the way. But what
happens when a modern-day princess comes across…an ogre?
Winds of Change (Decadent Publishing,
Island Girls Trilogy #3 - 2014)
To be with him feels like playing
Russian roulette blindfolded all while knowing she bet from borrowed lease. Can
something this wrong be....right?
Bad Luck With Besties (Decadent
Publishing, The Daimsbury Chronicles #1 - 2013)
Bad luck chases Honor Whelan with every
male friend she’s ever had. The last has left her pregnant. And the first wants
back in her life after having slept with another woman. What’s a girl to do
when she has such bad luck with besties?
You Belong To Me (Decadent Publishing,
Beyond Fairytales series - 2014)
A retelling of Grimm fairytale The Nix
of the Mill Pond in modern-day London, whereby a young woman who is no damsel
in distress sets out to save her kidnapped prince...only to find that true evil
lives well and strong in the heart of a man bent on conquering the world.
Transient Hearts (Decadent Publishing,
Western Escape Line – 2014)
It’s a clash of wills, dreams, and
desire, when Indo-British chef Shayne Morea comes to Freewill, Wyoming, on a
teaching mission. Prodigal son and New York Forex broker, Grayson Warner, is
also back on his home turf. Neither plans to stay, but the land seems to have
other plans.
You can find all these titles on my
Amazon author page
Where
can we find you on social media?
Author Website http://zeemonodee.blogspot.com/
Facebook (where I am almost all the
time! Catch me here the easiest!) https://www.facebook.com/#!/zee.monodee
Pinterest http://pinterest.com/zeemonodee/
Thank you for taking the time to visit us today, Zee and for answering the questions we threw at you. I trust you are hard at work with the next release and that we don't have to wait too long to see another fantastic read from you again.
